I am pleased to share a recent corporate art commission for a New York City office, developed in collaboration with Carpe Diem Art Consulting. The selection brings together six works from my Fluid Horizon and Rainy Days series, creating a visual dialogue between abstraction, urban environments, movement and atmosphere.

The commissioned works include:

• FLUID HORIZON IV
• FLUID HORIZON XXIV
• RAINY DAYS NEW YORK VI
• RAINY DAYS NEW YORK XI
• RAINY DAYS NEW YORK XII
• RAINY DAYS HONG KONG IX

The Fluid Horizon works explore the transformation of landscape and perception through layers, reflections and abstract photographic imagery. Inspired by water and the shifting boundary between sky, surface and horizon, the series reduces the landscape to a more atmospheric and contemplative visual experience.

The Rainy Days works turn the energy of major cities into layered compositions of reflections, movement and light. The fleeting impressions created by rain, architecture, people and urban activity.

Together, the six artworks create a cohesive yet varied installation, bringing colour, movement and a sense of visual depth into the corporate environment. The combination of abstract horizons and dynamic city scenes reflects my broader practice, which explores how photography can move beyond documentation.

I am grateful to Carpe Diem Art Consulting for bringing this project together and for selecting my work for this New York City corporate collection.

See more works from my NEW YORK edition

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MOTION STATES is a 15-minute video artwork filmed in Jakarta, Indonesia, in 2018, and presented as a video screening as part of my MOTION STATES exhibition at Creative Game Gallery, Berlin in 2025.

Filmed within Java Jazz Festival Jakarta, the work observes movement, people, light, blur and fleeting moments. Rather than following a conventional narrative, the video focuses on the visual rhythm of the scene and venue and the constantly changing relationship between human presence and space.

The camera becomes an observing presence, capturing fragments of movement and transforming visitors into an atmospheric and abstract visual experience. Blurring, repetition, rhythm and shifting perspectives connect the moving image with my broader photographic practice.

MOTION STATES reflects my ongoing interest in movement, perception, memory and the transformation of photographic imagery into a more immersive visual experience.

Watch the Video on YouTube

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I’m pleased to share that my work WATCHTOWER XCIX has been featured in Singulart’s curated collection “Zurück in der Stadt” (“Back to the City”), celebrating contemporary artworks inspired by the energy, rhythm, and visual character of urban life.

The collection brings together works that explore the city through bold lines, strong contrasts, architectural forms, abstract compositions, and new perspectives. This focus closely connects with my own artistic practice and my ongoing exploration of the modern city as a space of movement, structure, atmosphere, and human interaction.

With WATCHTOWER XCIX, I continue to investigate how urban environments can be transformed through photography and abstraction. Rather than simply documenting architecture, my work seeks to reinterpret the visual experience of the city—reducing familiar structures into dynamic compositions and inviting the viewer to discover new relationships between form, space, and perspective.

Being included in this Singulart collection is a wonderful opportunity to present my work alongside an international selection artists responding to the constantly changing urban landscape.

Explore WATCHTOWER XCIX and discover the collection on Singulart.

Explore more works from my Watchtower Series

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My participation reflects an important aspect of my own artistic practice, which moves between photography, digital printing, mixed media and contemporary graphic art. My work explores how photographic images can be transformed through processes of layering, abstraction, manipulation and physical production, creating works that occupy a space between photography, painting and printmaking.

What makes Mapping Printmaking particularly interesting is its understanding of printmaking as an expanded and evolving field. Rather than treating traditional engraving and contemporary digital processes as separate disciplines, the project examines their relationships and the ways technological developments have transformed artistic production.

The book is conceived as an open, continuously developing resource, bringing together artists, artworks, techniques and countries from around the world. Its long-term ambition extends beyond documentation, with the potential to encourage international collaborations, exchanges, workshops, exhibitions and future projects, including a possible virtual international biennial of graphic art.

The project also raises important questions about how digital technologies, photographic processes and contemporary forms of reproduction are changing our understanding of the printed artwork. In an increasingly connected global art world, printmaking is no longer restricted to traditional techniques or physical boundaries. It has become a fluid field in which analogue; photographic and digital processes increasingly overlap.

Explore my published series

Explore the Mapping Printmaking project

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The feature explores my approach to photography as a medium that moves beyond documentation toward atmosphere, abstraction, and emotional perception. The interview highlights my ongoing interest in combining photographic imagery with painterly processes, layering movement, blur, texture, and spatial rhythm to create works that exist between photography and contemporary painting.

It is always meaningful to see the ideas behind the work discussed in an international cultural context. The article reflects on themes central to my practice: perception, memory, urban transformation, and the tension between clarity and dissolution. It also touches on my multidisciplinary background and long-term engagement with photography, printmaking, and visual experimentation.

I’m grateful to GP Magazine and the editorial team of Marisa Lacopino for the thoughtful feature and for presenting my work to a wider Italian audience.

Explore my recent projects

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Measuring 200 x 100 cm, Human Order VII occupies the wall with a assertive presence. The work is part of my ongoing exploration of urban movement, structure, and collective presence. The work reflects on the subtle systems that shape contemporary city life—how individuals move within architectural grids, how order emerges from apparent chaos, and how rhythm defines metropolitan experience.

Through layered photographic elements and a carefully balanced composition, the piece oscillates between abstraction and figuration, inviting viewers to look closer and discover shifting perspectives.Blurred figures intersect within an architectural framework, suggesting both autonomy and choreography — a visual metaphor for the invisible patterns that shape urban life.

Produced as a museum-quality face-mount, the photograph is sealed behind acrylic glass and mounted on aludibond with a precision wooden frame. This presentation intensifies depth, contrast, and luminosity, allowing the layered motion within the image to unfold with clarity and spatial resonance. The reflective surface subtly interacts with the surrounding light of the Lounge, integrating the artwork into the atmosphere of the space.

This commission marks an exciting collaboration between contemporary art and hospitality design—an opportunity to integrate conceptual photography into a space defined by elegance, comfort, and international exchange. I’m honored that Human Order VII now forms part of the Conrad Hamburg’s visual identity.

View more from this series

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My work Fluid Horizon L has been selected for the Octavius Suites at Caesars Palace in Las Vegas, located in the contemporary Octavius Tower. This placement highlights a meaningful intersection between fine art photography and luxury hospitality design, and I’m glad to have my work become part of such an iconic and world-renowned destination.

The Fluid Horizon series—created in 2022—explores abstract seascapes through an experimental photographic process. By shooting through found pieces of glass, I distort the traditional horizon line and create shifting bands of color, movement, and atmosphere. These images evoke a sense of calm and fluidity, offering viewers a meditative visual experience that contrasts beautifully with the vibrant energy of Las Vegas.

The curatorial team of the project selected this work for its ability to create tranquility within high-end interior spaces, enhancing the refined environment of the Octavius Suites. These suites are known for their modern elegance, premium design, and focus on offering guests an exceptional, immersive stay. The inclusion of contemporary art plays a key role in shaping this experience—transforming rooms into curated environments that blend comfort, sophistication, and visual impact.

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My series captures the poetry of rainy streets—reflections, silhouettes, blurred motion, and the quiet intensity that transforms a city’s rhythm. To see these pieces selected for a NYC interior project is especially meaningful, as New York has been one of the inspirations behind the series.

The curated works add a contemplative, cinematic mood to the office environment, offering moments of calm within the city’s constant movement. It’s always inspiring to see how art becomes part of a living space and shapes the experience of the people who encounter it daily.

All works come as face-mount: a lambda print behind clear acrylic glass 2mm, with polished edges, with alu-dibond as back and aluminum hanging profile.

Huge thanks to the curators and the Boston team for choosing my work.

View the full series

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I’m excited to announce that two works from my Fluid Horizon series have been selected for the interior of an Azimut 88 yacht, a project that beautifully aligns contemporary art with luxury yacht design. This collaboration brings my abstract seascape photography into an environment defined by elegance, craftsmanship, and a deep connection to the ocean—making it a perfect match for the visual language of this series.

Fluid Horizon is a body of work created in 2022, developed through experimental photography using found glass fragments to reshape the traditional view of seascapes. The resulting images dissolve the line between sky and water, creating fluid, dreamlike horizons that feel both familiar and otherworldly. Each piece captures movement, light, and atmosphere in a way that mirrors the experience of being on open water.

The decision to integrate these works into the Azimut 88 interior highlights a growing appreciation for fine art photography in luxury spaces, particularly within modern yacht interiors where calm, immersive visuals enhance the overall aesthetic and onboard experience. These artworks were chosen for their ability to create a sense of serenity, space, and refined abstraction—qualities that resonate strongly in high-end maritime environments.

I’m grateful to the interior design team and the client for recognizing how contemporary seascape art can transform a space and elevate the emotional tone of a yacht. Collaborations like this encourage meaningful dialogue between art, architecture, and design, and I’m honored to see my work traveling on the water in such a unique way.

View more from this series

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The exhibition showcases the multifaceted nature of printmaking – exploring the interplay between figure and expression. The focus is on the human being – their form, their presence, their inner and outer movements. From studies to abstracted forms, from portraits to staged scenes, the works unfold a vibrant picture of figurative printmaking today.

Featuring works by Angela Hampel, Ute Laux, Emma Gunnarsson, Angelique van Wesemael, Klaus Walter, Sven Pfrommer, and Kerstin Ostwald. Complemented by sculptures by Lothar Seruset and Reinhard Thürmer. Curated by Tina Flau.

Opening on Saturday, December 13, 2025, at 5 p.m.

Exhibition dates: December 14, 2025 – March 23, 2026

Location link to Google Maps

My Statement about my series from the exhibition:

This early photo-etching series, hand-printed in 1997 at the BKK Druckwerkstatt in Berlin, marks a formative step in my artistic development. Working directly with copper plates and traditional intaglio techniques, I explored how photographic imagery could be transformed through tactile processes—scratches, aquatint textures, and the pressure of the press. Each print carries the physical trace of the studio: ink embedded in paper fibers, controlled imperfections, and subtle tonal shifts that push the photographs toward abstraction. These works reflect my long-standing interest in merging photography with printmaking and in expanding the image beyond its mechanical origins into a more material, crafted presence.

Explore more of my previous projects and exhibitions

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