Measuring 200 x 100 cm, Human Order VII occupies the wall with a assertive presence. The work is part of my ongoing exploration of urban movement, structure, and collective presence. The work reflects on the subtle systems that shape contemporary city life—how individuals move within architectural grids, how order emerges from apparent chaos, and how rhythm defines metropolitan experience.

Through layered photographic elements and a carefully balanced composition, the piece oscillates between abstraction and figuration, inviting viewers to look closer and discover shifting perspectives.Blurred figures intersect within an architectural framework, suggesting both autonomy and choreography — a visual metaphor for the invisible patterns that shape urban life.

Produced as a museum-quality face-mount, the photograph is sealed behind acrylic glass and mounted on aludibond with a precision wooden frame. This presentation intensifies depth, contrast, and luminosity, allowing the layered motion within the image to unfold with clarity and spatial resonance. The reflective surface subtly interacts with the surrounding light of the Lounge, integrating the artwork into the atmosphere of the space.

This commission marks an exciting collaboration between contemporary art and hospitality design—an opportunity to integrate conceptual photography into a space defined by elegance, comfort, and international exchange. I’m honored that Human Order VII now forms part of the Conrad Hamburg’s visual identity.

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My work Fluid Horizon L has been selected for the Octavius Suites at Caesars Palace in Las Vegas, located in the contemporary Octavius Tower. This placement highlights a meaningful intersection between fine art photography and luxury hospitality design, and I’m glad to have my work become part of such an iconic and world-renowned destination.

The Fluid Horizon series—created in 2022—explores abstract seascapes through an experimental photographic process. By shooting through found pieces of glass, I distort the traditional horizon line and create shifting bands of color, movement, and atmosphere. These images evoke a sense of calm and fluidity, offering viewers a meditative visual experience that contrasts beautifully with the vibrant energy of Las Vegas.

The curatorial team of the project selected this work for its ability to create tranquility within high-end interior spaces, enhancing the refined environment of the Octavius Suites. These suites are known for their modern elegance, premium design, and focus on offering guests an exceptional, immersive stay. The inclusion of contemporary art plays a key role in shaping this experience—transforming rooms into curated environments that blend comfort, sophistication, and visual impact.

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My series captures the poetry of rainy streets—reflections, silhouettes, blurred motion, and the quiet intensity that transforms a city’s rhythm. To see these pieces selected for a NYC interior project is especially meaningful, as New York has been one of the inspirations behind the series.

The curated works add a contemplative, cinematic mood to the office environment, offering moments of calm within the city’s constant movement. It’s always inspiring to see how art becomes part of a living space and shapes the experience of the people who encounter it daily.

All works come as face-mount: a lambda print behind clear acrylic glass 2mm, with polished edges, with alu-dibond as back and aluminum hanging profile.

Huge thanks to the curators and the Boston team for choosing my work.

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I’m excited to announce that two works from my Fluid Horizon series have been selected for the interior of an Azimut 88 yacht, a project that beautifully aligns contemporary art with luxury yacht design. This collaboration brings my abstract seascape photography into an environment defined by elegance, craftsmanship, and a deep connection to the ocean—making it a perfect match for the visual language of this series.

Fluid Horizon is a body of work created in 2022, developed through experimental photography using found glass fragments to reshape the traditional view of seascapes. The resulting images dissolve the line between sky and water, creating fluid, dreamlike horizons that feel both familiar and otherworldly. Each piece captures movement, light, and atmosphere in a way that mirrors the experience of being on open water.

The decision to integrate these works into the Azimut 88 interior highlights a growing appreciation for fine art photography in luxury spaces, particularly within modern yacht interiors where calm, immersive visuals enhance the overall aesthetic and onboard experience. These artworks were chosen for their ability to create a sense of serenity, space, and refined abstraction—qualities that resonate strongly in high-end maritime environments.

I’m grateful to the interior design team and the client for recognizing how contemporary seascape art can transform a space and elevate the emotional tone of a yacht. Collaborations like this encourage meaningful dialogue between art, architecture, and design, and I’m honored to see my work traveling on the water in such a unique way.

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Four with Carpe Diem Gallery commissioned works from my RAINY DAYS IN NEW YORK series found a new home at the SMBC Bank in New York City. New York City transforms in the rain—streets shimmer, neon reflections ripple on wet pavement, and umbrellas weave through the urban flow. My series, RAINY DAYS IN NEW YORK, captures this poetic atmosphere through lens blur photography, distilling the city’s energy into dreamy, abstract compositions. The series explores the beauty of motion and light, where familiar landmarks dissolve into vibrant impressions. Each image invites the viewer to experience the city in a new way—through softened edges, diffused colors, and the unique textures of a rainy day.

The four selected works are RAINY DAYS IN NEW YORK XIV, RAINY DAYS IN NEW YORK XII, RAINY DAYS IN NEW YORK XI and RAINY DAYS IN NEW YORK VI. All works come as face-mount: a lambda print behind clear acrylic glass 2mm, with polished edges, with alu-dibond as back and aluminum hanging profile.

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Rainy Days Tokyo

Japan - 2019 photography by Sven Pfrommer

My works COLOR SPHERE IV and RAINY DAYS IN TOKYO VII have been featured in the Maximalist Collection at the Artling.

The artwork are from my Japan series and from my Circular series.

Produced as facemount artwork: A Lambda-Print on clear acrylic 2mm, with polished edges, with 3mm Aludibond back and hanging profile.

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My works NY Downtown XIV and Hong Kong Streets VII have been featured in the Architectural Photography collection at the Artling.

The artwork are from my New York series and from my Hong Kong series.

Produced as facemount artwork: A Lambda-Print on clear acrylic 2mm, with polished edges, with 3mm Aludibond back and hanging profile.

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